After conquering some of electronic music’s biggest stages so far this year (Tomorrowland, Hi Ibiza, Ultra Music Festival), coveted dance star Vintage Culture is set to perform in NYC this Saturday, marking one of his biggest headlining shows ever in the Big Apple.

Fresh off his debut album Promised Land, which dropped back in May, he’s gearing up to rock the Under the Bridge K venue this weekend, exhilerated to touch foot down in the city again.

“New York is one of the most inspiring cities in the world,” he tells Secret NYC. “There is a pulse to NYC that keeps driving you forward.”

We caught up with Vintage Culture before his long anticipated weekend performance, asking him everything—from his new album to what his go-to bagel order is. Check it out:

You just dropped your debut album, Promised Land, bring me through some of the creative process of the project, favorite tracks, and moments while making it

VC: Promised Land was a four-year journey, and it’s more than just a collection of tracks. It’s a reflection of everything I’ve been through, both musically and personally, over these years. I wanted this album to feel like reaching a destination, not just for me, but also for the fans. Much of the album was written during and after the pandemic, so it captures that emotional rollercoaster we all went through. The creative process was intense but incredibly rewarding.

I’ve heard other artists say it before, and now I understand that picking a favorite track is like choosing a favorite child. Each one holds its own story, its meaning.

“Nothing Ever Changes” stands out for me, it’s deeply melodic, and emotional, and resonates whether you’re at a live show or listening at home. “Weak” is another special one, an original collaboration with Maverick Sabre. Remixing Maverick’s “Slow Down” had such a massive global impact, so working on this new track felt like a natural progression.

The show is at a venue called Under the K Bridge…a literal rave under a bridge…will this atmosphere inspire the set at all?

VC: This is my first time playing Under the K Bridge, and I love the raw, urban vibe. I thrive off that energy. It pushes me to go harder and take things to the next level. Last year’s Brooklyn show had some crazy rain, but it didn’t last long, and the crowd was incredible, running right back to the stage as soon as it cleared up. This year, I’ll be dropping a lot of unreleased tracks. There are going to be plenty of surprises the audience has never heard before.

You’re set to play a special b2b set with fellow Brazilian, Maz. Talk to me about how that relationship formed and what we can expect from that set.

VC: I’ve admired Maz’s work for a long time. It’s great to see him finally get the attention he deserves. We’ve talked about working together and finally, our schedule coincided for this USA tour. Each of us has our unique style and I love his vibe. Couldn’t be more excited for another b2b.

What can fans expect from your extended set on Saturday night?

VC: I’ve been doing extended sets at home in Brazil for a while now. With an extended set, I love having the space to take people on a journey. It’s not just about bangers the whole way through, it’s about building up, taking moments to go deeper, more introspective, and then hitting those peak moments when the energy just explodes. Expect a mix of new music, unreleased tracks, some surprises. I’m going to take my time and feel the crowd’s energy too.

Are there any NY artists, producers, places, or neighborhoods that are inspiring you creatively at the moment?

VC: New York is one of the most inspiring cities in the world. You can feel the rhythm of the city as soon as you step off the flight. There is a pulse to NYC that keeps driving you forward. It’s contagious and it’s a feeling that stays with me long after I leave.

New York DJs and Producers helped build this industry. Artists such as Louie Vega, Todd Terry, Tony Humphries, Danny Tenaglia are pioneers.

I also admire the songwriting and production talents of Sofi Tukker and The Knocks.

Where do you think the state of techno/melodic techno is heading as a genre?

VC: I get asked that question frequently. I’m very fascinated by how flexible dance music is. It remains open to numerous possibilities. While excellent songs can certainly be the foundation of fantastic productions and tracks, there are also remarkable pieces that don’t depend on traditional song structures. Simple concepts, spoken word elements, and the rhythm and sound of the voice can elevate less structured songs into outstanding tracks, as the instrumental components can generate the right energy to counterbalance this.

Now for some fun NYC-based questions!

Settle the debate: What’s the best pizza spot in NYC?

VC: Is there any bad pizza in New York? Near my hotel in New York on West 54th Street, there is a Ray’s Pizza on 54th & 7th Ave. It’s awesome.

Do you have any favorite Brazilian spots in NYC that reminds you of home? Or any favorite restaurants in general?

VC: As a Brazilian, when I’m in other cities I don’t usually go for Brazilian food.

There are so many terrific restaurants in New York. Tao Restaurant downtown is one of my favorites. Great food, terrific service and I really like the vibe of that restaurant.

Do you have a specific bagel order when you’re in NYC?

VC: I go for an Everything Bagel with cream cheese when I’m in the city. It’s part of my New York routine and the perfect start to the day, especially after a late night.

What’s one thing you do/see/eat every time you visit NYC?

VC: Walking through Times Square feels like the center of the world. I like to go shopping too, but unfortunately most of the time I don’t have time. It’s from the airport to the hotel to the club and then leave to the next destination.

What NYC attraction/activity/restaurant is still on your bucket list that you haven’t gotten around to yet?

VC: If I had the opportunity, I’d like to rent a bike and cruise around New York City and just get lost in its wonder.

The post Vintage Culture Talks New Album, Favorite Pizza Spot & More Ahead of Massive NYC Show appeared first on Secret NYC.

* This article was originally published here

Edgar Allan Poe was an American writer, poet, editor, and literary critic who wrote humor, satire, hoaxes, and has even been credited with inventing the detective genre. But what Poe is best known for are his tales of mystery and the macabre, and as the tricks and treats of spooky season begin to settle in we can’t help but all want to surround ourselves with all the things that go bump in the night–well, some of us at least.

So while some of us would prefer not to go further than immersing ourselves in Poe’s creepy tales, others can take it one step further this spooky season by heading to this small little cottage in the Bronx to actually step inside the mind of Poe.

Edgar Allan Poe moved from Boston to New York in 1844 and into the cottage during the spring of 1846 with his wife Virginia and mother-in-law Maria Clemm. It was here that Poe penned some of his most famous poems, including The Bells, Eureka, and Annabel Lee. Poe rented the cottage, which served as his final home, for $100 per year before his death on October 7, 1849.

The cottage only has five rooms: a kitchen, parlor, and bedchamber on the main floor, and two small rooms in the attic. So, in other words, it’s not any smaller than the shoebox NYC apartments we’re used to today! And we’re not saying the cottage is haunted, but his wife Virginia did pass away in the very same bed that’s on view there, so you may want to keep an eye out for any spirits lurking around the corner.

According to the Historic House Trust, today, the cottage’s rooms have been restored with furnishings appropriate to Poe’s 1840s residency including a desk and a wicker rocking chair thought to have belonged to the family.

The Edgar Allan Poe Cottage is the only house left from the old village of Fordham though the redevelopment of the village, including the widening of Kingsbridge Road, threatened the cottage’s existence. In order to save it it was moved a few blocks north before opening to the public on November 15, 1913.

Today, it’s owned by NYC Parks and operated by The Bronx County Historical Society. It was designated a New York City Landmark in 1966, began serving as a museum in 1975, and was listed on the National Register of Historic Places in 1980.

The cottage is essentially a living recreation of Poe’s legacy where visitors can get a glimpse of his life in the Bronx. You can also view a bronze portrait bust of the author, created by Edmond Thomas Quinn for Poe’s 100th birthday, on view inside the cottage.

Those that can’t visit the cottage in person can instead embark on a virtual tour of it online.

Admission to the Edgar Allan Poe cottage costs $5 for adults and $3 for children, students, and seniors 65+. Members of The Bronx County Historical Society can enjoy free admission to Poe Cottage, and free admission for NYC residents is also available through Culture Pass.

2640 Grand Concourse, The Bronx

The post Step Inside The Mysterious Mind Of Edgar Allan Poe At His Former Bronx Cottage appeared first on Secret NYC.

* This article was originally published here