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How afrobeats, Nollywood, diaspora leaders are redefining Africa’s global image

(Patoranking performing on September 26, 2024, at the Apollo Theatre, Eden Harris/New York) Amsterdam News)

(Patoranking on the left pictured with Next Narrative Africa CEO, Akunna Cook, on September 26, 2024, at the Apollo Theatre, Eden Harris/New York Amsterdam News)

(President and CEO Travis Adkins of the U.S. African Development Foundation on the left pictured with United States Ambassador to the United Nations Linda Thomas-Greenfield, on September 26, 2024, at the Apollo Theatre, Eden Harris/New York Amsterdam News)

For many years, Africans in the U.S. have experienced ongoing disadvantages from negative narratives and have often been treated like they are incompetent.

A United Nations General Assembly report from the Working Group of Experts on People of African Descent says these stereotypes perpetuate racially biased decision-making and continue to “harm people of African descent.”

The news media’s portrayal of poverty and an inadequate education system has shaped the perception of Africans among Americans and the global community. These portrayals have resulted in Africans being passed over for opportunities.

Bobby Digi, a Nigerian American and president of the Nigerians in Diaspora Organization New York chapter, knows this story too well. He said he was passed over for a job “back-to-back” even after training the individuals who were promoted instead of him.

“I trained him. He came on, and after maybe six or seven months, he was promoted. Imagine you train someone … and you’re the one always available when your boss needs someone to step in for someone that’s not able to make it; you’ve done everything right, and then you get passed [over],” Digi told the New York Amsterdam News.

Digi said the narrative around Africa has skewed America’s perception as well as the world’s view of their intellectual capabilities.

“For a very long time, people questioned your level of intelligence just because [American institutions] think you are subpar because your [African] education system can’t compete… And that actually isn’t true,” Digi said, reflecting on how the academically challenging African education system can be compared to schools in America.

However, one thing changing the narrative of Africans and the continent is the rise of Afrobeats and Nollywood. Its worldly influence has catalyzed how the world views Africa and the diaspora. Africans are mainly being met with curiosity by people from various backgrounds, asking what country they are from in Africa. When the Ghana government launched its Year of Return program in 2019, close to 1 million people visited the country during that year to learn about their background and the country’s offerings.

Digi attributes much of the newfound love and respect for Africa to Afrobeats, where he says success from artists such as Davido, Wizkid and Burna Boy have helped open up the sound.

“And now it’s kind of cool to be associated with Afrobeats, African fashion, even traveling to Africa and West Africa, the Year of Return to Ghana, and the different parties that happened there,” he said.

“And now [being African] is a thing to be proud of, to the point where you can take your friends, colleagues, elected officials, celebrities, to Ghana; they want to go to Nigeria, they want to go to Zanzibar, they want to go to Rwanda, so now it’s a cool thing,” Digi said.

Another Afrobeats artist who has helped change the narrative about Africa is Patoranking; he co-headlined a show with the Next Narrative Africa The Bridge at the Apollo Theatre. He said times are changing for Africans and their diaspora, and they feel empowered regardless of circumstances.

“We are telling the world that we don’t need to bring our chair to the table, we are the table, come sit,” Patoranking said. “For every door that was locked, we are buying the whole building.”

Next Narrative Africa CEO, Akunna Cook, said. “We are looking for storytellers, content creators who have in their DNA and in their intentionality to change [these] negative stereotypes about Africans that exist on screen.”

President and CEO Travis Adkins of the U.S. African Development Foundation believes Africans have to take back their narrative.

“The narrative we have to change is the one we have created for ourselves, but it’s one that was created for us and is about us, without us,” he said. “For us, we know the beauty of the continent and its people. We know the richness of our spirituality and our traditions. We know the wealth that is in both the people and the land, and so what better way to tell that than for us to tell it ourselves?”

The Working Group of Experts on People of African Descent said that racial stereotypes and racial stereotyping continue to be prevalent in everyday life, encompassing advertisements and the media. However, the continuing rise of Afrobeats has helped change some negative views about the continent.

Patoranking believes that not much can stand in the way of Africans claiming a rightful place to be viewed in a continuous positive light now due to Afrobeats. “We have the resilient spirit. We don’t take no for an answer. We are unstoppable. We just like to get it done.”

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* This article was originally published here

Brooklyn Children’s Museum receives $100,000 grant to sponsor free field trips

New York City Council Speaker Adrienne Adams and Councilmember Chi Ossé partnered to give a $100,000 grant to the Brooklyn Children’s Museum (BCM) to sponsor free field trips for children from low-income families at schools across Brooklyn.

The BCM was founded in 1899 as the world’s first children’s museum and has grown to be New York City’s largest and most beloved cultural institution designed especially for families. It serves an estimated 300,000 children and caregivers annually.

“We are deeply grateful to Council Speaker Adams and Councilmember Ossé for their unwavering commitment to supporting education and community in Brooklyn,” said BCM President and CEO Atiba T. Edwards. “This grant allows us to expand our impact, ensuring that more students can benefit from the kind of experiential learning that strengthens academic foundations and builds critical social skills.

After a short museum tour, Adams and Ossé presented Edwards with a giant check on Oct. 3.

“The phenomenal Brooklyn Children’s Museum has supported our children’s education for over 125 years,” said Adams, a former educator herself. “Because of your work generations of New Yorkers have had access to enriching experiences and programs that have deepened their knowledge and understanding of the entire world. We can all remember what it was like to be a child. To marvel at the scale and majesty of the world and wonder how it came to be. That curiosity should be nourished and protected, because it is critical to shaping our minds and future.”

According to the BCM, Brooklyn is the borough with the most Title I, or low-income, schools in the city. Their sponsored field trips are designed to align with state learning standards and immersive experiences and include access to the museum’s exhibits, visual arts, hands-on STEM areas, world cultures markets, and civic engagement meant to foster curiosity and creativity among students. Multiple studies, said the BCM, have demonstrated the value of field trips in boosting cultural awareness, reinforcing personal development, and positively impacting academic outcomes.

“The Brooklyn Children’s Museum was a central element in my childhood, as it was for countless Brooklynites,” said Ossé. “Extending that gift to as many children as possible is a noble goal. I am thrilled to support this program. From my perspective as both the political representative of the museum and as a son of Brooklyn, I recognize this program to be incredibly beneficial to education outcomes, social and emotional well-being, and cultural awareness. I hope this model is replicated across the city.”

Adams added that the city council has fought long and hard for funding in the city budget for libraries and cultural institutions against the Mayor’s budget cuts over the last year.

“The city council had to fight to make sure that funding for those institutions that empower and teach and enrich New Yorkers had to happen,” she said. “And not just had to happen once, but we made sure we baselined all of this activity so that we never — no council — will ever have to fight the way that we had to fight to get it back.”

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* This article was originally published here

Reenactment event to recall founding of central NJ Mt. Zion AME Church

Reenactment event to recall founding of central NJ Mt. Zion AME Church

This weekend, the Stoutsburg Sourland African American Museum (SSAAM) will be presenting a Camp Meeting Reenactment to commemorate the 125th anniversary of the founding of Mt. Zion AME Church in Somerset County, New Jersey.

The reenactment takes place this Saturday, Oct. 12, from 12-4 p.m. at Mt. Zion AME Church, located at 189 Hollow Road in Skillman, New Jersey.

Camp meetings, which are usually spiritually focused, are events where people come together for worship and to take part in family and cultural activities. This weekend’s event will feature a 16-person, all African American choral ensemble gospel choir but won’t solely focus on religion. SSAAM is presenting the camp reenactment because the museum is itself situated inside the former church. Built in 1899, the Mt. Zion AME was a small, rural church that served as an active congregation up until 2005.

“Historically, the church that now houses the museum, Mount Zion AME, hosted annual camp meetings in Stillman from the 1800s to around 1930 when the tradition kind of died out,” explains Dr. Isabela Morales, SSAAM’s education and exhibit manager. “Camp meetings were historically religious services, but also social gatherings. And we have oral history documentation that these were the biggest social events of the year.

The Hubbard family dressed for a camp meeting, circa 1918 (Photo courtesy of the Stoutsburg Sourland African American Museum)

“Because the area was so rural, with a lot of farmers and families that lived up on the mountain, they didn’t go to church on a regular weekly basis. This was a time when both Black and white members of the community came together and kind of saw each other and came in fellowship and friendship, in a large-scale capacity, which didn’t happen throughout the rest of the year.”

SSAAM’s research of the area’s oral histories found that the original camp meetings featured a popular song that was regularly performed at the camp meetings. “‘They stole my mother away,’ was sung by Manning George Blackwell, who is a descendant of enslaved people in New Jersey,” Dr. Morales told the AmNews. “The spiritual came from the time of slavery and kind of discusses the experiences of African American during slavery. In the oral histories, people talk about this song and how everyone wanted to hear it, and it brought the most money into the collection site for the entire day. They remembered bits and pieces of verses, but not the entire song and not the full melody. We’re working with an ethnomusicologist at Rider University to kind of recreate that song and we are going to have a soloist perform that song for the first time in 100 years at the camp meeting.”
The camp meeting will also feature historical reenactors portraying key people who played a role in the establishment of Mount Zion AME’s history. The actress Leslie Bramlett will be present to portray Corinda True, a very devout member of the church whose family donated a portion of their five-acre plot of land so that the church would have a foundation to build on. Another actress will be present to discuss the life of Sylvia Dubois, who was born enslaved in New Jersey and lived to be nearly 122 years old. The camp meeting is also set to feature reenactors portraying members of the 6th Regiment United States Colored Infantry, African American soldiers who fought with the Union during the Civil War. Union Army veterans were an integral part of Mt. Zion AME’s congregation.

With this year marking the 125th anniversary of when Mt. Zion AME was built, SSAAM has put together several programs to celebrate the church and promote educational programs for the community. For more information, visit www.ssaamuseum.org.

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* This article was originally published here

‘Flow States: #LaTrienal’ opens at El Museo del Barrio

The new “Flow States” exhibition, El Museo del Barrio’s second iteration of its triennial survey of contemporary artists, opened on Oct. 9 at the famed East Harlem art institution.

The museum’s first effort to display the work of current-day Latinx artists was called “Estamos Bien” and took place from 2020 through 2021 during the COVID-19 pandemic. While that show looked at the work of U.S. and Puerto Rico-based artists, “Flow States” serves as a glance at the work of what its curators term the “diasporic flows” of artists in the U.S., Puerto Rico, the Philippines, Mexico, Asia, the Caribbean, and Europe.

The show’s curators — Museo del Barrio Curator Susanna Temkin and Chief Curator Rodrigo Moura, along with María Elena Ortiz, a guest curator from the Modern Art Museum of Fort Worth — selected works from 33 artists who span the extent of the Latinx diaspora. These are artists who convey wide-ranging artistic themes and focus on different ways of expressing who they are.

The cultural identities of the shows’ artists are also an effort to expand the idea of Latinx: the curators say they selected work from artists who go beyond the expected geographies of where you might find folks who identify as people of Latino descent. The show’s artists are not all from Spanish-speaking nations and don’t even all identify as Latinx — in the end, many may only come from a shared colonial history in the Americas or have experienced a similar kind of imperialism.

“We do think that there are a lot of conversations that are being had amongst artists who are working across different places, coming from different backgrounds, using different media,” Temkin told the Amsterdam News. “So, we came up with this idea: the title is ‘Flow States,’ and we wanted it to have this kind of double meaning.

“A ‘flow state’ is like when you’re in the zone, in that creative flow — when you’re really kind of, like, feeling the juices: It’s a psychological term. But because of our interest in kind of breaking with the geography we wanted to add the ‘s’ to pluralize states, to really make it more heterogeneous. So, it’s not that you’re going to come to El Museo’s La Trienal and see one kind of art; you’ll see a whole variety of works by an intergenerational grouping of artists.”

The survey of works includes “Persona Non Grata” by Jamaica-born artist, Cosmo Whyte. The piece features a documentary image from the 1968 student uprisings in Kingston, Jamaica, which has been placed behind a beaded curtain. Viewers must part the curtain and walk in on an eerie, distant scene of protest, which gives the sense of experiencing and being a part of that moment.

Bahamas-born Anina Major’s mixed media installation “In the Marketplace II” looks at the tradition of the straw market and basket weaving to reflect on how the tourist industry — where woven baskets are commonly sold — can be both exploitive and serve as a showcase for local culture.

Photographic pieces by Widline Cadet, who was born in Pétion-Ville, Ayiti, look at Black migrations and the ways Black people adapt and live in diasporic environments. The exhibition features her “Ant yè ak demen (Between Yesterday and Tomorrow), 2023,” “Pou kouri dèyè syèl la (To Chase the Sky), 2023,” “An Echo of Gratitude, 2023,” and “Santiman fantom (Ghost Feelings), 2023” on display.

In another piece, the Puerto Rican artist Tony Cruz Pabón drew with graphite on the museum’s wall and only recently finished “San Juan (Puerto Rico) / New York (de la serie “Dibujos de distancia”), 2024.” Pabón had been working on the piece at the museum for two weeks. 

“He’s been transcribing or attempting to transcribe the distance between his home in San Juan and New York City,” Temkin explained. “He’s referred to that as a very kind of mythical journey that many people have taken. Every day he’s been drawing very repeated lines on the wall: he just concluded by drawing, I think, over 4,000 lines. And he’s created this mask that’s meant to evoke the physical and also the mental and the conceptual distance between these two places.”“Flow States” artists, who hail from the various locations where the culture of Latinidad has made an impact, will also take part in special events at El Museo del Barrio while the show remains up through March 9, 2025. This Friday and Saturday, Oct. 11 and 12, San Antonio-based artist Mark Menjívar will conduct a free artist-led bird walk in Central Park, in connection with his piece featured in the show, “La Misma Cancíon, 2024.

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* This article was originally published here

EatOkra to hold inaugural conference celebrating Black cuisine

EatOkra, the award-winning app connecting food enthusiasts with Black-owned food businesses nationwide, will hold its inaugural Culinary Creatives Conference, or 3C, celebrating Black cuisine and culture on Sunday, Oct. 13.

The all-day event is set to take place at the Metropolitan Pavilion in lower Manhattan, featuring over 75 vendors and expecting to draw more than 1,200 attendees. Visitors can anticipate culinary demos, educational talks, and libation tastings, among other exciting activities.

“Through this conference, we just want to make sure that we have a lasting impact and empower Black food entrepreneurs,” said CEO and co-founder Anthony Edwards of EatOkra.

The day will be split into an educational stage and a demonstration stage.

The educational stage will hold panels and discussions teaching entrepreneurs how to grow and improve their businesses. The demonstration stage, meanwhile, will showcase food and beverage offerings from exhibitors like the Bunnan and the Crabby Shack.

Edwards says that the goal of 3C is to facilitate meaningful engagement between customers and Black food entrepreneurs while also providing these businesses with valuable exposure.

“We always knew that we wanted to get into real-life activations — just bringing our digital experience of bringing new digital customers to the food entrepreneurs on the platform. We wanted to have a real-life activation of that,” he said.

Edwards hopes that both attendees and vendors will leave the event feeling inspired and motivated.

“For the attendees, that are the family and friends of foodies, I want them to be inspired by these brands that are coming. I want them to see that they did it; I can do it, too.” he says. ‘I believe in entrepreneurship, so I really want to celebrate entrepreneurship at this show. ”

Tickets are available online now, starting at $35 for general admission. For more info, visit www.eatokra.com.

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* This article was originally published here

Billy Giles: Master teacher of the sweet science

No matter how talented a boxer may be, having an experienced trainer with a keen eye and a business-wise manager often determines how successful of a career they’ll have. Having toiled in New York City’s sweaty gyms for several decades, Harlem-native Billy Giles, a.k.a. Thrill, has earned his stripes and is regarded as one of this generation’s elite boxing trainers and managers.

“I started in the mid-70s and liked working with those younger than me, and I realized I could do what older trainers couldn’t do with the youths,” he reflected.

Starting out as a bodybuilder with Harlem’s infamous Iron Head and Gladiator squad, he was then under the tutelage of his uncle, legendary boxer and trainer Bobby McQuillar, who nurtured him in the art of the sweet science. He trained talented boxers like Tumbler Davis and Peewee Rucker before working with a 16-year-old Hector “Macho” Camacho, taking him to win three NY Golden Glove titles and his first pro world championship in 1983.   

Around that time, he also formed alliances with renowned Detroit boxing trainer Emmanuel Steward and took his fighters to get work at the famed Kronk Gym, where he witnessed some competitive sparring sessions, like Camacho vs Sweet Pea Whitaker, Camacho vs Thomas “The Hitman” Hearns, and Mike “The Body Snatcher” McCallum vs Hearns.

“Those were something else to watch,” he recalled.

His success in the corner led to him assisting other outstanding boxers by the late 1980s, such as WBA Light Middleweight Champ Davey Moore and WBA Super Middleweight Champ Chris Tiozzo, among others.

“Thrill can watch an opponent, figure him out, then give you a fight plan on how to beat him,” asserted ex-boxer Joe “Trouble” Figueroa. “He’s also a great motivator.”

By the time the next decade rolled around, he took Aaron “Superman” Davis to win the WBA Welterweight title with an upset 9th round knockout win over Olympic gold medalist Mark Breland on July 8, 1990. He also brought his nephew, Cam’ron Giles, to the gym, but the youth chose to play basketball and pursue a career in entertainment instead.

Unlike many other veteran trainers with such success, Thrill works with select amateur boxers on the rise. In the new millennium he worked with a young Devin Haney years before he became globally recognized. He also trained Paulie Malignaggi from the start of his pro career to his first world title shot against WBO Light Welterweight Champ Miguel Cotto in 2006.

He’s still helping young aspiring pugilists develop their skills in the ring, but reminds them the importance of learning life skills as well. He also says to be on the lookout for his current pupil, teenager Izzy Mitchell, in the years to come.

“I’m not only a trainer, I’m also a teacher. The streets got more wins than any boxer,” Thrill warns in closing. “Boxing helps build character, which helps people be competitive and be successful in life.”

The post Billy Giles: Master teacher of the sweet science appeared first on New York Amsterdam News.

* This article was originally published here

NCNW strategy focuses on expansion and voter turnout

If you think you know the National Council of Negro Women (NCNW), look again. Rev. Shavon Arline-Bradley, the first NCNW leader to hold the title of president and CEO, believes this “organization of organizations” is uniquely positioned to have an impact on voter turnout.

Arline-Bradley said she is honored to carry on the legacy of an organization that was founded in 1935 by iconic leaders: the late Dr. Mary McLeod Bethune, an influential educator and activist, and the late Dr. Dorothy Height, who was NCNW’s president for more than 50 years.

The 61st NCNW National Convention, with the theme “Our Voice. Our Power. Together, Our Future,” is taking place this week in Baltimore, Md. Founders will be honored, and topics will include recognizing the NCNW’s accomplishments; global plans for expansion; and the NCNW’s Eight-State/All-State Strategy for voter mobilization.

Arline-Bradley, 46, is clear about her purpose-driven assignment, and emphasized that engaging college and high school students is essential, “I want NCNW to be a relevant, solvent institution forever. My job is to create the kind of infrastructure to do that.” 

The NCNW comprises members, associates, affiliate organizations, and partner organizations. With more than 350 sections and 37 national Black women’s organization affiliates, the NCNW reaches 2 million women and men. 

The range of “NCNW Priorities” includes education, entrepreneurship, financial literacy, economic stability, health and healthcare access, civic engagement, and advocacy for public policy and social justice issues.

The group is also poised for growth. Arline-Bradley is leading an international expansion plan to establish charters in Africa and Caribbean next year. “We were the first Black American organization to have an NGO status with the United Nations,” Arline-Bradley said. “After that was Delta Sigma Theta Sorority, Inc. Now, we’re expanding the global conversation because there is a desire for many women across the waters who are interested in making sure their issues are known…We have a lot of interest in Senegal, Jamaica, Bermuda, and the Bahamas.” 

As the NCNW’s footprint expands, efforts to mobilize citizens in the United States are underway during this presidential election season. The NCNW Eight-State/All-State Strategy was created to increase voter turnout when compared to the presidential election in 2020.

The plan targets eight states: Georgia, Florida, North Carolina, South Carolina, Virginia, Ohio, Michigan, and Pennsylvania. A second tier of states includes Arizona, California, Colorado, Maryland, Nevada, New York, and Wisconsin.

A toolkit helps members, affiliates, and associates across the country mobilize and engage with Black women and voters between ages 17 and 24. According to Arline-Bradley, when the strategy was created, there was a focus on battleground states, the electoral college, and geographic locations where the NCNW has a strong membership and could engage, including New York, which is a tier-two state in the NCNW’s plan. 

“We are nonpartisan, but we’re very politically astute and factual about the way the map lands,” she said. “If a Black woman is to be the president of the United States, carrying New York is a basic requirement. It does not pan as a battleground, but it is a battle area because New York represents the country. It’s rural, it’s urban, it’s suburban, it’s progressive, it’s conservative, it’s moderate,” added, who believes New Yorkers have a great opportunity to collaborate with affiliate partners and identify high schools where seniors could be encouraged cast their vote of choice according to the rules by state.

In addition to voter registration, the NCNW plan is about helping people understand their right to take up space in a democracy during this historic moment. 

“As nonpartisan as we are, it is also to talk about the history and the historical moment that we’re in,” Arline-Bradley said. “Kamala Harris a member of the NCNW. She is a member of two of our national affiliates, Alpha Kappa Alpha Sorority, Inc. and the Links, Inc. Kamala is Black. I want the world to know that she’s a proud graduate of Howard University. 

“I’m blown away by the energy that I’m seeing. I’m also disheartened by a lot of the rhetoric that I’ve seen, and some of it comes from our own community. Let NCNW be a place of information, of clarity, of debunking myths [so] sisters and brothers across this country can know there is a seat at the table for Black women.” 

She credits NCNW’s team for the progressive shifts that are occurring within the organization, and through the Bethune-Height Changemaker Pathways program, a leadership development initiative for college students from both Historically Black Colleges and Universities (HBCUs) and PWIs (predominantly white institutions). 

With the first cohort in progress, Arline-Bradley said, “If NCNW is going to live, it’s going to live because we invested in young women…but I cannot be more proud to have brought that vision in and that vision is actually coming to pass.”

Arline-Bradley, who is a wife and mother, added that “NCNW is ready. NCNW is a place where every Black woman has a seat at a table. No, we’re not perfect. We’re an organization that’s almost 90 years old, with the only Black-owned, women-owned building on Pennsylvania Avenue in Washington, D.C. We want to be the place that Black women find not only safe, but also…see themselves as valued and a part of a solution.”For more info, visit www.ncnw.org.

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* This article was originally published here

Labor movement mourns the passing of William “Bill” Lucy

Labor and civil rights activists have remembered union leader William “Bill” Lucy, after it was announced that he passed away at 90 years old on September 25, 2024.

Lucy helped organize the 1968 Memphis sanitation strike. He was the author of the famous “I Am a Man” phrase laborers carried on placards as they demanded recognition of their often-dangerous work.

In 1972, Lucy co-founded the Coalition of Black Trade Unionists (CBTU) and served as the social justice-oriented organization’s first president. Lucy also co-founded the Free South Africa Movement (FSAM) in 1984, served as secretary-treasurer of the American Federation of State, County and Municipal Employees (AFSCME) for 38 years, and he was the first African American president of Public Services International (PSI), an organization he helped push to form closer relations with Latin American and African countries.

“Bill Lucy has been the North Star of the labor movement for more than five decades,” CBTU noted as it marked Lucy’s passing. “So many, including CBTU leaders across the country, have stood on his shoulders to reach their dreams.”

Lucy’s public viewing will take place at the Metropolitan A.M.E. Church, 1518 M Street, NW, in Washington D.C., on Oct. 15 from noon to 8 p.m. Lucy’s homegoing service will be held on Oct. 16, beginning 11 a.m. and will also take place at Metropolitan A.M.E., Rev. William J. Barber is scheduled to deliver the eulogy. The homegoing service will be live-streamed on lucy90.com.

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* This article was originally published here

Longshoremen strike ends with gains for labor’s strength

The abrupt pause of the International Longshoremen’s Association (ILA) strike has been welcomed throughout the U.S. economy. On Oct. 3 –– just three days after it started –– the ILA strike was officially suspended and a tentative agreement was reached.

The ILA and the United States Maritime Alliance (USMX), the organization that represents shipping companies and port authorities, said in a statement that they had “reached a tentative agreement on wages and agreed to extend the Master Contract until January 15, 2025…”
Both parties were set to return to bargaining to settle their remaining issues.
ILA workers had stated they were mainly concerned about the threats of automation and the small wage increases USMX was proposing.
The tentative agreement would reportedly grant a 62% increase to ILA workers’ wages. USMX was originally offering a 50% wage increase, while the union had been demanding a 77% increase.  

Regarding the threats of automation, the ILA is one of the few unions with actual power: They have a monopoly on off-loading containers at ports around the country. But their jobs are threatened by automation. ILA members run the giant cranes that move containers from ship to truck, or truck to ship. They sit 100 feet above the docks and peer through a window at their feet to position cranes for pickup. Efforts to automate dockworker jobs include the use of self-driving trucks, trains, and container equipment tools. 

The Biden-Harris administration said it was urging both sides to continue talking and come to an agreement as the strike progressed. Once the strike ended, President Biden said in a statement, “I congratulate the dockworkers from the ILA, who deserve a strong contract after sacrificing so much to keep our ports open during the pandemic. And I applaud the port operators and carriers who are members of the US Maritime Alliance for working hard and putting a strong offer on the table.
“I want to thank the union workers, the carriers, and the port operators for acting patriotically to reopen our ports and ensure the availability of critical supplies for Hurricane Helene recovery and rebuilding. Collective bargaining works, and it is critical to building a stronger economy from the middle out and the bottom up.”

The ILA strike was another test of labor’s power in the U.S. economy and showed that by banding together and showing they could unite for a common purpose, laborers can demand certain changes to their working conditions.

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* This article was originally published here

The Mets’ will to win drives them to unexpected heights of October baseball

Let’s be honest: Few, even the most optimistic diehard Mets fans, didn’t envision them still playing baseball into the second week of October. But here they are, World Series contenders, invoking the spirit of the 1969 champion Miracle Mets.

They went into Game 4 of the best-of-five National League Division Series yesterday on their home turf at Citi Field up 2-1, one win from closing out the Philadelphia Phillies following a 7-2 victory in Game 3 on Tuesday night at home. Starter Sean Manaea was sterling, handling the vaunted Phillies lineup for seven innings, allowing just three hits and one run with six strikeouts.

“That was for my Aunt Mabel. Just got a message that she had passed away early this morning,” Manaea said heartily. “So that game was for her.”

The Phillies were monstrous entering the playoffs, capturing the AL East Division by title with a record of 95-67, six games ahead of the Mets and Braves, which were both 89-73. The Mets weren’t assured a wildcard playoff spot until the final day of the regular season on Sept. 30, one day after the originally scheduled ending to the season, defeating the Braves 8-7 in Atlanta in the first game of a makeup doubleheader.

In what has come to define the Mets’ unwavering resolve, they overcame a 3-0 deficit with six runs in the top of 8th, fell behind 7-6 entering the 9th, then snatched the lead again, going up 8-7 in the top of the inning on a dramatic two-run homer by star shortstop Francisco Lindor.

Their penchant for prevailing through adversity continued into the playoffs when they took down the Milwaukee Brewers two games to one in the best-of-three opening round series; the signature moment was a shocking three-run home run in the decisive Game 3 by first baseman Pete Alonso in the top of the 9th with the Mets down 2-1. Alonso, who will be a free agent this off-season, had been derided by the team’s fan base for his late season struggles at the plate. He was five for 38 with no extra base hits and 18 strikeouts in his previous 43 at-bats before one of the authoring one of the most iconic blasts in the history of the franchise.

The story of the 2024 Mets is still being written. But it was an unhappy tale in late May when they were 10 games under .500 at 23-33 on the 30th day of the month and it looked as if they would be near the bottom of the standings for the next four months until the end of the season. But first-year manager Carlos Mendoza, the Yankees former bench coach, and arguably the best manager in Major League Baseball this season kept them steady and thinking neutrally, focused on each subsequent at-bat, each pitch, and the challenging mental process of staying in the present.

From then, the Mets went 65-40, the best record in MLB from June 1 to the regular season’s last day and still going. Where the journey will finish is unknown — but that’s been the beauty and thrill of their unforeseen circumstances.

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