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Heroes get remembered, but legends never die. New York Yankees MLBbros are being immortalized for heroics that have made them legends forever.

Dave Winfield was honored on April 24 for his incredible accomplishments while wearing the pinstripes with a mural a few blocks away from Yankee Stadium.

The mural, titled “Exhibiting Possibilities: Legendary Yankees,” was a collaboration led by The Bronx Children’s Museum, The Players Alliance, the Yankees and the Bronx Terminal Market to feature historically great Black Yankees players.

“We hope that every boy or girl that sees these murals will have their own dreams of greatness on the field and, more importantly, in their communities. We will continue to support the storytelling of excellence surrounding the Black players in our game, and we look forward to continuing to honor our history, particularly our history of Black players,” MLB commissioner Rob Manfred said during the unveiling of the mural.

An uber-athletic outfielder, Winfield played for the Yankees from 1981-1990, during which he was an All-Star for all but the last two seasons of his stint in the Bronx. He also won five Gold Gloves and five Silver Sluggers over his time as a Yankee.

Winfield played the first eight seasons of his career with the San Diego Padres, for which he is a member of the franchise’s Hall of Fame and has his No. 31 retired. The native of St. Paul, Minnesota was a standout for the University of Minnesota’s baseball and basketball teams before being drafted by four organizations in 1973: He was taken by the Padres with the fourth overall pick in the MLB draft, the Atlanta Hawks in the fifth round of the NBA draft and the ABA’s Utah Stars in the sixth round. And despite not playing college football, Winfield was a 17th round selection by the Minnesota Vikings in the NFL draft.

In addition to the Padres and Yankees, the 6-6, 225 pound Winfield also played for the Los Angeles Angels (formerly the California and Anaheim Angels), Toronto Blue Jays, Minnesota Twins and Cleveland Indians. He was inducted into the National Baseball Hall of Fame in 2001 in his first year of eligibility. Winfield was the first Padres player ever to make it to the venerable HOF in Cooperstown, New York.

Even with the unforgettable accomplishments he had in his first 18 seasons with the Padres and Yankees, Winfield didn’t win a World Series title until 1992, in his one year with Toronto, when he was 41. During that season, he hit the game-winning, two-run double in the 11th inning of Game 6 of the World Series that clinched the title, forever earning him the nickname “Mr. Jay.”

Over the course of his career, Winfield, now 72, batted .283, with 465 home runs, 1,833 RBI, a career on-base percentage of .353, and a slugging percentage of .475. He also has 3,110 career hits, which is 23rd all-time. He was a 12-time All-Star, seven-time Gold Glove winner, and a six-time Silver Slugger award winner throughout the entirety of his playing career.

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A new large-scale sculpture exhibition opens in Harlem this week, with eight featured locations to host the sculpture installations, bringing public art to residents uptown in a welcome change. It’s the first large-scale sculpture exhibition in the neighborhood. “We don’t have a lot of galleries in Harlem,” said Savona Bailey-McClain, executive director and chief curator for the West Harlem Art Fund. “But what we do have is a lot of park spaces.”

Bailey-McClain explained that while art is frequently confined to lavish spaces like museums and galleries, the Harlem Sculpture Gardens seeks to disrupt that practice by making art publicly accessible.

Several historic parks will be utilized for the exhibition, running from Morningside Park to Jackie Robinson Park. Visitors are encouraged to stop by every venue, including Harriet Tubman Triangle, Frederick Douglass Circle, and the City College of New York Campus.
“[Public art] gives the opportunity for those who don’t always feel welcome in institutions, the possibility to see, to engage, and to experience,” said Dianne Smith, a multidisciplinary artist presenting her work in the exhibition.

Smith’s piece,“Echoes of the Path,” incorporates small aluminum wire sculptures for a commentary contrasting the urban and natural environment.

The metal, she said, mimics the shape of trees in nature, while the aluminum signifies the urban environment through its concrete composition. It’ll be featured at St. Nicholas Park. 
She identified her geographical and cultural background as major artistic influences.
“I’m a child of the diaspora, so my work responds and connects to the cultural landscape of Harlem,” she said.

For Bailey-McClain, capturing the cultural diversity of New York City is a goal of the exhibition, as illustrated by the roster of artists and the variety of art on display.

“We have several artists, Latino artists. We have two Asian artists,” she said, offering examples. “We also incorporated abstract works that deal with contemporary art in New York City.”

The exhibition further aims to increase traffic and visibility to the venues. Michael Gormley, executive director of the New York Artists Equity Association, noted that these spaces are often underutilized, reinforcing the importance of accessibility.

Tyreese Nacho photos

“If you’re going to make art accessible to everyone, you take it to their communities,” said Gormley.

The Harlem Sculpture Gardens is a year-long project headed by the West Harlem Art Fund and New York Equity Artists Association in collaboration with the NYC Department of Parks and Recreation, local community boards, and other neighborhood groups. 

The exhibition is a reform of an existing artistic vision by Bailey-McClain, a veteran within the public arts sphere. Years ago, the NYC Department of Parks and Recreation approached her to carry out a project presenting sculptures in all four historic parks in Harlem. Years later, they approached her again for another iteration. This time, she wanted to create something on a bigger scale.

“We made sure that different organizations and artists in all five boroughs were aware of what we were doing,” she said. “We’re trying to create a new scene in Harlem that’s contemporary that can be seen as more relevant with young people, and so we reached out to various groups.” After initiating an open call for proposals and receiving fewer submissions than expected, she accepted all of them.

Now, as the project comes to fruition, Bailey-McClain is optimistic about the impact it will have on the community.

“I had a resident across the street come over and shake my hand. She was so happy. She felt like the art was making her day,” she said. “So we want people to see that what’s normally downtown, or maybe in downtown Brooklyn, can happen uptown. We can have sculptures on a large scale in Harlem, and people would respect it, and they would welcome it, and they can understand. And they can ask questions.”

The Harlem Sculpture Gardens will run from May 2, 2024, through October 30, 2024.
For more information, visit https://harlemsculpturegardens.com/ 

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* This article was originally published here