Obstacles remain as women seek more leadership roles in America’s Black church

No woman had ever preached the keynote sermon at the Joint National Baptist Convention, a gathering of four historically Black Baptist denominations representing millions of people.

That changed in January when the Rev. Gina Stewart took the convention stage in Memphis, Tennessee—the Southern city home to Christ Missionary Baptist Church where she serves as senior pastor—and delivered a rousing message, asserting that Jesus not only included women in his ministry, but also identified with their suffering.

But what happened next put a spotlight on the obstacles women in Christian ministry continue to face as they carve out leadership space within the patriarchal culture of the Black church in America. Several women pastors told The Associated Press that it should serve as the breaking point.

“This is an example of no matter how high you rise as a woman, you’re going to meet patriarchy at the top of the hill,” said Martha Simmons, founder of Women of Color in Ministry Project, which helps women navigate the process of getting ordained. “The next Norton Anthology of African American preaching is probably 20 years away, but that sermon will be in there.”

Despite the enthusiastic reception for Stewart, the original recording of her historic sermon disappeared from the convention’s Facebook page, setting off a social media firestorm—driven mostly by women—protesting its removal. A recording of the sermon later appeared, but it was followed by accusations the convention edited her closing remarks, which challenges the four allied denominations to support women in ministry.

Jerry Young, president of the National Baptist Convention, USA, did not reply to requests from The Associated Press for comment. He said at another January meeting that he believed the Facebook page had been hacked and he planned to involve the FBI.

“I still don’t know what happened with the sermon, but what is clear is that this was a form of erasure,” Stewart said. “I was just as shocked, stunned and surprised as everyone else.”

It is symptomatic of a larger problem, according to several Black women pastors interviewed by the AP. They emphasized how they were worn down by the physical and psychological toll of working in a male-dominated culture.

In some denominations, women have made progress. The African Methodist Episcopal Church estimates that one-fourth of its total staff are women, including 1,052 ordained ministers.

In the Black church as a whole, male pastors predominate, though there’s no comprehensive gender breakdown. Simmons estimates that less than one in 10 Black Protestant congregations are led by a woman, even as more Black women are attending seminary.

The conditions aren’t new, but the public discourse over women’s equality in ministry has rapidly gained ground due in large part to the bullhorn social media provides, said Courtney Pace, scholar-in-residence with Memphis-based Equity for Women in the Church. Pace noted how Facebook afforded Eboni Marshall Turman a venue to publicly share her grievances before filing a gender discrimination lawsuit in December against Abyssinian Baptist Church in New York.

The late theologian and civil rights activist Prathia Hall underscores this dynamic, said Pace, who wrote “Freedom Faith: The Womanist Vision of Prathia Hall.” In the book, she details how Hall was a key inspiration for Martin Luther King Jr.’s “I Have a Dream” speech.

“The kind of thing that happened to Gina Stewart happened a lot to Prathia Hall,” Pace said. “When she was doing her work, we did not have social media, or cell phones with voice recorders and cameras in every hand. So who knows what the response to Prathia would have been with an empowered public like we have today.”

Hall was born in Philadelphia in 1940, the daughter of a Baptist preacher. As a youth, she took part in local speech competitions where she melded folk religion and liberation theology.

But not all of Hall’s relationships within the insular preaching fraternity of the National Baptist Convention were as collegial as her relationship with King, whom she said in later years did more with “I have a dream” than she could have.

Many theologically conservative Christian churches, including some Black Protestant denominations, prohibit women from preaching. They frequently cite certain biblical passages, including one they interpret as saying women ought to “be silent” in churches. Even in denominations without explicit bans, women with leadership aspirations often must contend with a patriarchal culture.

Last month, the audience was dotted with young Black women at an event hosted at the Howard Divinity School in Washington. A group convened a panel about the evolution of Black women’s role in the church.

Inside the cavernous Dunbarton Chapel that Howard Divinity shares with the Howard School of Law, a half-dozen Black women representing a range of independent churches and Black Protestant denominations spoke about persevering through instability and transition.

Their current duties, some of the women said, left them exhausted and unable to grieve the members they lost to COVID-19.

One speaker was Rev. Lyvonne Briggs. In 2019, she was being overworked and underpaid as an assistant pastor of a large Baptist church in California. Her marriage dissolved.

She restarted her life in Atlanta. During the lockdown one Sunday morning in her apartment, Briggs went live on Instagram and held a self-styled worship space for 25 people to share their experiences. It became known as The Proverbial Experience, which Briggs describes as an “African-centered, womanist series of spiritual gatherings to nourish the soul.”

In two years, Briggs grew her church into a digital community of 3,000. She also wrote “Sensual Faith: The Spiritual Art of Coming Back to Your Body,” a treatise on liberation from the sexual politics and objectification of Black women’s bodies in the church setting.

“I don’t ascribe to this idea that the Black church is dead,” Briggs told the AP. “But I do acknowledge and promote that we have to eulogize what it used to be so that we can birth something new.”

One preacher who fashions himself an expert on the topic of women’s role in the church, Walter Gardner of the Newark Church of Christ in Newark, N.J, sent a video link of one of his lectures when queried by the AP about his beliefs. At the end of one session, Gardner suggested that women, overall, ignore Scripture and are incapable of being taught.

That’s a mindset Gina Stewart would like to change, on behalf of future generations of Black women.

“I would hope that we can knock down some of those barriers so that their journey would be just a little bit easier,” said Stewart, who has continued to charge forward.

In a given week, her preaching schedule can take her to multiple cities. As an example, she traveled to Washington earlier this month after accepting a sought-after invitation to preach at Howard University’s Andrew Rankin Memorial Chapel.

Stewart’s goals mesh with those of Eboni Marshall Turman, who gave the Martin Luther King Jr. Crown Forum lecture in February at Martin Luther King’s alma mater, Morehouse College. In December, after not being named a finalist, she had sued Abyssinian Baptist Church and its pulpit search committee for gender discrimination over its hiring process for its next senior pastor, an assertion the church and the committee disputed. No woman has ever held the post.

A former Abyssinian assistant minister, the Rev. Rashad Raymond Moore, said in an email to The Associated Press that of the several dozen applicants for the senior pastor job, “none were more exciting, promising and refreshing than Eboni Marshall Turman.”

Added Moore, who now is pastor of New York City’s First Baptist Church of Crown Heights, “Pastoral searches in Black congregations, historically socially conservative, are often mired in the politics of discrimination, including biases based on gender, sexual orientation, marital status and age.”

Marshall Turman, a Yale Divinity School professor, offered pointed critiques in her first book at what she deemed the inherent patriarchy of Morehouse’s social gospel justice tradition. She adapted her recent lecture’s title from the last speech ever given by King, the all-male college’s most famous alum.

The title was blunt: “I’m Not Fearing Any Man.”

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Associated Press religion coverage receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.

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Natasha L. Logan Appointed Chief Program Officer At The Studio Museum In Harlem

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The Studio Museum in Harlem is delighted to announce the appointment of Natasha L. Logan as its new Chief Program Officer, effective May 8, 2024. In her new role, Logan will collaborate closely with Director and Chief Curator Thelma Golden, senior leadership, and colleagues across the institution to drive strategic direction for exhibitions and programs…

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* This article was originally published here

A Mediterranean restaurant with a hidden rooftop just opened in Chelsea

A Mediterranean restaurant with a hidden rooftop just opened in Chelsea

Industry vets Igor Drca and Miljan Komnenic—the team behind the now-closed West Village spot Recette and the still-kicking UWS restaurant The Consulatehave opened their largest NYC restaurant yet, and it’s got a hidden rooftop to boot. 
Marsanne NYC has softly opened in the Chelsea neighborhood, taking over the Forager’s Market space at 233 Eighth Avenue, and the restaurant’s design brief was seemingly “plant lover’s dream.” Interior designer Larisa Mihajlova custom-designed the 150-seat space “to reflect the modern and warm connection with nature,” which means shrubbery projecting from the ceiling, art deco-style mirrors, and customized woodwork art installations.
All of that greenery and the volcanic rock details fits nicely with the modern Mediterranean focus happening on the menu—from an open kitchen, chef Zivko Radojcic doles out plates like carbonara-filled agnolotti with smoked confit chicken; pan-speared scallops with eggplant caponata and pine nuts; and branzino with basil tapenade and sundried tomato. To complement, cocktails are the kind of summery stuff you want to drink on vacation: a rummy Disco Sour sweetened with passionfruit and mango, and the Jardin, flavored with matcha and jalapeńo. 

Speaking of bars, the 
40-seater semi-private dining space “Le Mascaret Room” has its own dedicated drinks counter, as well a custom-made undulating wooden sculpture mounted on a wall (it’s meant to replicate twisting vines and flowing waves, natch) and a glass-encased wine cellar holding over 700 bottles. 
And though that clandestine “Rooftop by Marsanne” is now only softly open for private events, it will eventually roll out wellness and DJ programming, and a drinks menu with wine-inspired cocktails, mocktails, and beer to go along with those unobstructed views of the Empire State Building. “Being able to offer a rooftop space that isn’t clearly visible is a fun talking point for usit’s unexpected, and we love to surprise our guests with a great reason to keep your evening going. This is a charming, intimate rooftop and really feels like your best-kept secret,” the team said in a press release.
Check out those plant-filled Marsanne digs as well as some of the cocktails on offer below: 
Marsanne NYC
Photograph: courtesy of Marsanne NYC
Marsanne NYC
Photograph: courtesy of Marsanne NYC
Marsanne NYC
Photograph: courtesy of Marsanne NYC
Marsanne NYC
Photograph: courtesy of Marsanne NYC
Marsanne NYC
Photograph: courtesy of Marsanne NYC

* This article was originally published here

Heads Up! Don’t Be Fooled, That Email Might Not Be From A Legit Company

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As we head into the upcoming months, scammers are increasing their usage of phishing scams. Consumers who receive an email that appears to be from a well-known company should look at it carefully before responding. This week’s ConsumerAffairs-Trend Micro Theat Alert has iden. tified phishing scams posing as Adobe, USSA, and Norton. Trend Micro’s research…

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* This article was originally published here

Dashi Okume is doing an udon omakase in Greenpoint

Dashi Okume is doing an udon omakase in Greenpoint

If you’re a ramen regular but want to mix up your noodle consumption a bit, it’s thique cousin udon is a tasty alternative. And now Dashi Okume, the Japanese grocery story and natural broth shop in Greenpoint (50 Norman Avenue), is kicking off a new weekend dinner series spotlighting the slurpy-ready stuff. 

RECOMMENDED: The best noodle soups in New York City, from classic chicken noodle to Malaysian curry laska

Following their popular Oden Omakase series, the Brooklyn specialty store will feature Inaniwa-style udon noodles, a regional specialty of the Akita Prefecture of northern Japan that are “delicately thin and flat, known to be super smooth and silky on the palate, perfect for the warmer season.” As the Dashi Okume crew wrote on their Instagram, “To produce this delicious udon, skilled artisans go through four processes of kneading, twisting, stretching, and drying. Particularly, the technique called ‘Ayakake,’ where the dough is stretched thinly by hand, creates an incredibly smooth texture, pleasant mouthfeel, and an unexpected firmness despite its thickness.”
Offered every Friday and Saturday evenings (seatings will begin at 8pm), the shop’s Udon & Dashi Omakase will feature a seven-course tasting menu “that showcases the rich possibilities of dashi as a dashi store and fish from Toyosu in Japan, as we originate from the fish market,” the team posted on social. The noodles will act as the main, served with two types of tsuyu dipping sauce and Hakusen hon mirin.
Though the menu will change depending on the availability of ingredients, diners can expect dishes like a fried fish course (like a Hatahata Karaage, another specialty of Akita), as well as a bozushi (pressed sushi) item of the day, such as mackerel from Toyosu fish market flavored with Akazu red vinegar and Japanese mustard karashi. And, of course, there will be desserts, like a house-made yuzu sorbet.
 
The udon pop-up menu is priced at $85 per person, while a sake pairing is also available as an optional add-on for $50. Reservations can be made for Dashi Okume’s Udon & Dashi Omakase series over on Resy

* This article was originally published here

City Warns, Keep Doors, And Windows Closed While Using AC To Conserve Energy

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Department of Consumer and Worker Protection (DCWP) Commissioner Vilda Vera Mayuga today reminded local businesses to keep their doors and windows closed while air conditioning is running. Since 2015, all stores in New York City are prohibited from running air conditioning while doors and windows are open, and stores with five or more locations in…

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* This article was originally published here

The Ultimate Guide To Exploring The Significance Of Marketing In Healthcare

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The realm of healthcare is undergoing a significant transformation, not just in terms of advancements in medical technology and treatments, but also in its approach to reaching and engaging with patients. In this ultimate guide, we delve into the profound significance of marketing within the healthcare industry. No longer confined to traditional methods of patient…

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A new Banksy Museum is opening on Canal Street this month

A new Banksy Museum is opening on Canal Street this month

Following a slew of pop-ups and stand-alone exhibits, elusive England-based street artist Banksy is getting the New York City museum treatment: The Banksy Museum is set to debut at 227 Canal Street by Broadway on May 15. 

According to an official press release, the space will display over 160 works by the artist—from his instantly recognizable street art to studio pieces, videos and animated visuals—making this “the largest display of Banksy work ever seen in a single setting.”

Similar destinations have already debuted in Barcelona, Brussels, Kraków and Paris, all of them projects by Hazis Vardar, also the brainchild behind the famous Palace Nightclub in France. 

Banksy Museum in NYC
Photograph: Erald Kraja
Banksy Museum in NYC
Photograph: Erald Kraja

“Street art belongs in the raw setting of the streets,” said Vardar in an official statement. “But if people can’t see it, is it even art? Little of Banksy’s works are visible to the public at large. Most have been stolen for resale, inadvertently destroyed, or erased by overzealous city cleaning teams. Most of this transient art could only be viewed on tiny smartphone screens, which is no way to experience the scale or emotion of Banksy’s work. So we knew that we needed to create an exhibition that would bring Banksy’s art back before the public.”

Banksy Museum in NYC
Photograph: Erald Kraja
Banksy Museum in NYC
Photograph: Erald Kraja

To do the work justice, the creators of the museum created a space that “reflects the street experience” and employed a number of anonymous street artists to recreate Banksy’s work. That is all to say: what you’ll see on the walls and propped up for display won’t necessarily be Banksy’s own work but celebratory recreations of both iconic and lesser known pieces.

Tickets for the museum, which will be open daily from 10am to 8pm, are available right here. The exhibit spans the second and third floors of the building and, according to the press release, takes about an hour to be seen in totality—although you are encouraged to take in all the pieces at your own pace.

* This article was originally published here